Preliminary Task: Analysis and Self Reflection

Preliminary Task: Analysis and Self Reflection

     Shot/Reverse-Shot

I would give myself 6/10 for my use of shot/reverse-shot because although we used it successfully so that the audience saw what me and Samuel saw, it would have been better if we had used an over the shoulder shot instead.

We used shot/reverse-shot during the scene when me and Samuel were talking. We started by filming a high angle shot of me looking up at Samuel. As he was standing and I was sitting, he would be looking down on me. This made the audience feel as if they were Samuel, creating a closer connection between the audience and Samuel. This connection made the audience more invested in the scene, and therefore more invested in the story. This was the same when we filmed Samuel from my perspective, using a low angle shot to show what I saw. The use of shot/reverse-shot made the viewer see the story from our perspective, making them more invested and interested in the film.

     Match on Action

I would give myself 8/10 for match on action. I tried to edit my film to make it as smooth and continuous as possible, so that no actions were skipped or repeated. There are a few instances, for example when Samuel walks towards the table, that aren't perfect, and feel as if something is wrong.

I mostly worked on perfecting the match on action during editing. When filming, we mostly filmed the same scene repeatedly but from different angles. This meant that the match on action in the uncut edits was imperfect and lacked continuity. When I edited, I tried to make the edit smooth and continuous by ensuring actions were not skipped or repeated. By doing this, the film felt more grounded in the real world. The match on action made the film seem as if it was taking place in reality, which made it more believable. This engaged the viewer more, making them more interested in the film. Also, if match on action had been obviously imperfect, it would have distracted the viewer, made them less engaged, and taken away from the story.

     180 Degree Rule

Set up of cameras following 180 degree rule

I would give myself 10/10 for 180 degree rule because we did not break it at any time during the film.

To ensure we kept the 180 degree rule, we kept the camera on one side of the room at all times. Even when we were filming outside the room, when Samuel enters, we made sure to stick to the same side. This means that we see Samuel opening the door furthest from the camera in one shot, then walking through the furthest door in the next shot. By sticking to the 180 degree rule, we made sure that continuity was correct. If we had broken the 180 degree rule, we would have broken the continuity, as Samuel would have walked one way, then the other. By using the rule, the film was smooth and the viewer was not distracted from the story. This meant that the viewer could follow the story and stay invested in the film without any distractions or confusions.

     Tilt

I would give myself 7/10 for our use of tilt, as it was used well, but could have been smoother and cleaner.

After the camera had panned to follow the ID card passing along the table, it tilted up, following the ID card and revealing my face. The effect of this was that it showed the importance of the card, and the fact that it was the focus of our meeting. This made the viewer intrigued as to why the card is so important, and what is going on in the scene. This made our film more engaging and interesting, as the audience becomes more invested in the story.

     Pan

I would give myself 6/10 for our use of panning shot. This is because although it was used well, at some points it wasn't particularly smooth, and seemed a bit shaky.

We used a pan twice in our film; firstly when Samuel was crossing the room, secondly when the ID card was slid across the table. I think our first use of it was slightly less successful, as it was slightly wobbly, and made the film feel less perfect. However, we used it to good effect. By following Samuel's walk, we showed his journey across the room while also keeping a feeling of mystery about who he is, as we hadn't revealed his face yet. By using a pan, we also created a feeling of movement. This helped the viewer feel as if they were moving with Samuel, making them feel more involved and therefore more engaged. With the second pan, the one used to follow the ID card, it showed the importance of the card, as the viewer followed it. This made the viewer intrigued about why the ID card was so important, and what it meant for the story. This, again, made the viewer more engaged in the film.

     What I Have Learnt About Filming

Filming this preliminary task has taught me several valuable lessons about filming. Firstly, I have learnt that it is very difficult to film with two people who are both filming and acting. Next time I will definitely film with one extra person than the number of cast in any given scene. Besides this, however, I have also learnt the importance of following the rules of filming, especially match on action and 180 degree rule, as using these correctly means that the viewer is always involved, and they forget that they are watching a film and begin to believe that the film is real. I will take extra care to make sure that these rules are followed, so that the film is absorbing and engaging. I will also make sure that if we use pans and tilts that they are smooth, as when they go wrong (like when Samuel is walking) the audience is distracted from the story of the film. I would also use over the shoulder shots, because there is something slightly odd about just filming a person on their own talking with another person, possibly because it makes them seem as if they are not talking to anyone. Next time I film something, I will definitely follow these rules.

     What I have Learnt About Editing

I have learnt many things about editing when making the film, mostly because I have never edited something by myself before, and I have never used Final Cut. One thing I have learnt about editing is that most of the sounds, effects and titles in Final Cut are incredibly cheesy. It is very easy to make something silly, cheesy, and funny using Final Cut - editing something serious is far more difficult. However, finding good, simple titles is relatively simple, and basic effects can be found as well. The real problem is avoiding the temptation to make a rainbow coloured flashy film with star wipes and bouncy music. I think next time I edit I will use a royalty free music website to find any backing tracks and sounds, as Final Cut's are fairly rubbish. I think one successful aspect of my editing is the length of the shot cuts, as all of them are a fairly good length. I did this by doing what felt natural, which probably comes from the ideas I've absorbed from years of watching films. This means for my actual film I will do whatever feels right and natural in editing.

     Shot Types

I think the most effective shot in our film was the two shot, with a medium close up of Samuel and a long shot of me. I think it is effective because it allows the viewer what I am doing (standing up) and how Samuel reacts.

Our most effective shot

One shot I wish we had gotten was a medium close up when Samuel says 'You'll understand one day'. The shot we have for that part is a mid shot, but from very far away. This looks very strange, and would have looked better if it was closer. The distance between the viewer and Samuel distances them, making the connection between viewer and story lessen. A closer shot would have kept the connection and have shown Samuel's face as he reacted. I would also have filmed more close up reaction shots, just so the audience could understand what me and Samuel were thinking.

The shot I would have changed